Balko Photo

This is the workhorse in the Canon stable. Dependable and producing quality images, it now incorporates Canon’s second generation Image Stabilization technology. It responds in as little at 0.5 seconds, while providing up to three stops of correction for camera shake. Its AF system has been refined for better response time and tracking speed. And even the new 8-blade circular aperture offers a more pleasing out-of-focus image. Constructed to pro standards, this fast zoom is also highly resistant to dust and moisture, too.

I had this lens and it was the best I have ever used. Add a converter and extend your reach!

BUY now at Adorama (used lenses also available at a reduced cost)

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The EF 70-200mm f/4L IS USM is a lightweight, compact L Series telephoto zoom lens with Image Stabilizer. The optical Image Stabilization in the new EF 70-200mm f/4L IS USM lens provides up to an incredible four stops of shake correction. The use of fluorite UD lens elements provides excellent optical performance in terms of resolution and contrast. These features, together with its water-and dust-proof construction, provide both the performance and portability to meet user demands.

This one is the same size as the EF70-200mm f/4L USM lens - but far more desireable because it has the IS - Image Stablization. Unless you enjoy dragging your tripod around and setting up for every shot, you want and need IS!

A great alternative to the heavier and costlier 70-200 f2.8L IS USM ($600 cheaper)

BUY now at Adorama - comes with 67mm Front Lens Cap, Rear Lens Cap, ET-74 Lens Hood, Lens Case, Canon 1 Year Warranty.

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This one is on my Wish List!

The EF 70-300mm f/4.5-5.6 DO IS USM is a superior performance, ultra-compact telephoto zoom lens with Canon’s Image Stabilization. These Diffractive Optics elements are combined to reduce size and boost image quality. AF is super-fast and silent with a ring-type USM, and it focuses down to 4.6 feet – without rotating the front element. A new zoom lock button keeps the lens safe and secure when not in use or used at the wide angle.

The Canon EF 70-300mm f/4.5-5.6 DO IS USM Lens is an ultra-compact and very well built telephoto zoom lens with excellent image stabilization.

It is not a light lens (1.6 lb / 720g, but compared to the white L monsters, it is much easier to handle for a day out and about.

The invaluable Image Stabilization should be good for about 3 f-stops, which translates to being able to get great shots hand-held! The 70-300 DO can detect the presence of a tripod (when vibrations go below a certain level), and it is now considered good practice to shut off the IS when using a tripos as some say that can cause image blurring (go figure!).

Filter size a a more affordable 58mm. Extensions tubes can be used for macro work, and extend the 70-300 DO’s maximum magnification to .26x and .46x for 12mm and 25mm tubes respectively. It is not compatible with telephoto extenders though.

Chromatic aberration (CA) is well controlled, colors are good, and vignetting is at a minimum - primarily only noticeable near 300mm, f/5.6 on a full-frame body. Distortion ranges from some barrel distortion at 70mm to little distortion at 85mm to pincushion distortion by 100mm that gets and remains strong from 135mm through 300mm.

The controversy with DO lenses is what happens in bokeh and therein lies the essence of why some love it and some hate it. It will produce an overly soft blur, strange circles and halos. See here for sample images.

The price is not cheap either at $1000, but for a light-weight all-around lens (which can easily replace two separate lenses), it can be a bargain.

BUY at Adorama

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This budget lens is a performer and you get your money’s worth too. The EF 70-300mm f/4-5.6 IS USM telephoto zoom lens has been developed to meet the high-performance standards that today’s photographers demand. Improved Image Stabilizer Technology provides up to three stops of “shake” correction, and the “Mode 2″ option stabilizes images while panning with a moving subject. Tests with the 70-300mm f/4-5.6 IS showed it to be a superb compact and light-weight performer at a very affordable price.

Indoor performance tests suggest that the 70-300 IS gives excellent performance at the level of L-zooms if you can stop it down one f-stop. As expected, performance is weakest at 300mm. However, even at 300mm, resolution is good (55 line pairs per mm) and microcontrast is excellent if the lens is stopped down to f/8. Lens performance was excellent in selected applications with wildlife photography over two days at 300mm and f/8. The lens also tested well in infrared photography with a converted 20D and a Hoya R72 filter. [wlcastleman]

BUY at Adorama right here - and used lenses are also available.

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This L-series super telephoto zoom lens is equipped with an Image Stabilizer. The fluorite and Super UD-glass elements largely eliminate secondary spectrum. The floating system also ensures high picture quality at all focal lengths. The Image Stabilizer has two modes and it is compatible with Extenders 1.4x II and 2x II. This last part is important if you are after more reach for less money.

The Canon EF 100-400mm f/4.5-5.6 L IS USM Lens has an excellent focal length range, is a member of the Canon L Series, but be prepared for the downside of carrying around 3 pounds of glass. Some like the push-pull zoom and some do not. I had no problems. I used it hand-held almost exclusively thanks to the wonderful IS system.

The Canon EF 100-400mm f/4.5-5.6 L IS USM Lens is slightly soft in the center wide open at the shorter focal lengths, but gets very sharp when stopped down one f-stop. Considering the focal length range of this lens, the sharpness delivered is simply excellent.

While it was not as good as the 70-200 2.8L IS USM, it is no slouch. Expect a bit more softness at full extension, but that is easily remedied in post processing. This one should be on your short list!

BUY at Adorama right here - with hood and tripod mount. Used lenses also available.

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Not a consumer product, but Canon’s two Super Zooms have a home in the broadcast industry.

Turner Studios’ first HDTV truck has two Canon DIGISUPER 100xs and seven DIGISUPER 86xs studio/field lenses, each with the shake-free shooting of Shift-IS Image Stabilization. Five portable Canon HJ21×7.8B IRSD lenses, with the added control of Digital Drive, will also be onboard.

“By selecting Canon, Turner has purchased the most advanced HD lenses in the world,” said Gordon Tubbs, assistant director, broadcast and communications division at Canon U.S.A., Inc, a subsidiary of Canon Inc. (NYSE: CAJ). “Since the introduction of the DIGISUPER 100xs at NAB 2003, it has become the standard triple-digit lens in HD and SD production. We’re extremely proud that the new HD truck for Turner Studios will be going on the road with the DIGI UPER 100xs and a full host of Canon glass.”

The DIGISUPER 100xs, or XJ100×9.3B IE-D, from Canon, was the first-ever broadcast lens to provide a triple-digit zoom range from wide angle to telephoto. Incorporating Canon’s world-class optics and superior Image Stabilizer (Shift-IS) technology, which is capable of eliminating vibrations at a frequency of up to 10 Hz for unparalleled precision at the telephoto end, the DIGISUPER 100xs allows shake-free shots never before possible in sports and entertainment production.

Making the DIGISUPER 86xs’, also known as the XJ86×9.3B IE, and the DIGISUPER 100xs, or XJ100×9.3B IE-D, high performance a reality is Canon’s breakthrough “xs” technology, which reduces the weight, while adding advanced specifications. With the X-Element and Power Optical System, Digital Servo System, CAFS (Constant Angle Focusing System) and Crossover for switchable 16:9/4:3 cameras, the Canon Digi Super 86xs is an HDTV-quality lens that makes top performance affordable for SDTV as well.

The Canon HJ21×7.8B IRSD/IASD is for totally portable ENG/EFP production in HD or SD, and excels by exhibiting almost no zoom effect during focusing. It brings the high specifications and light weight of Canon’s HDxs system to the portable arena, as well as the highly useful controls and advanced ergonomics of Digital Drive.

“The current trend in mobile production is the construction of a growing number of HD trucks,” adds Gordon Tubbs. “Turner is now putting their own HD truck on the road, and they’re equipping it with Canon glass.”

Features

XS - The letters XS come from the word “Excess”, an indication that the new generation of lenses exceeds all conventional lens specifications and concepts by using breakthrough technologies. It allows for higher specification lenses in smaller and lighter packages. Knowing the requirements for HDTV, Canon has developed the DIGI SUPER 100 xs to meet and exceed those demanding performance specifications. Further enhancing the DIGI SUPER 100 xs series is Canon’s latest built-in stabilization method, Shift-IS, a standard feature of both lenses.

HD Optical Performance with a 100x Zoom Ratio
The DIGI SUPER 100 xs is a powerful field lens that utilizes Canon’s unique optical design concept, the “Power Optical System” with ” X-Element“. By adopting this concept and advanced technology, The DIGISUPER 100 xs has improved the range of focal length from 9.3mm-930mm and also has succeeded in compensating the chromatic aberration to a very high accuracy. The superior optical capacity also allows the lens to offer a maximum relative aperture of 1.7 and a minimum object distance of 3.0 meters. Moreover, the DIGISUPER100 xs is almost the same size and weight as the DIGI SUPER 86 xs. Canon considers that, no matter how prominent the specifications, if the lens is huge and massive, it is meaningless as a production tool.

X-Element & POWER OPTICAL SYSTEM
Canon has developed this breakthrough optical design concept using a newly developed optical element in the most effective way. We have named the new design concept the “Power Optical System” which achieves higher specifications and quality using the new optical “X-Element” which virtually eliminates aberrations.

“CAFS” Constant Angle Focusing System
The zooming effect of focus is the phenomena where the picture size (angle of view) changes when focusing (breathing). However, a 32bit CPU calculates and controls the zoom when focusing in order to counteract these phenomena.
Thus the DIGISUPER 100 xs have ZERO zooming effect of focus throughout the whole zoom range.

CROSSOVER COMPATIBILITY
Available optionally is the dual aspect ratio switching system, “CROSSOVER”, for switchable 16:9/4:3 cameras.

LINK - Canon Broadcast

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The Olympus E-3 is the much awaited successor to the E-1. Unveiled in Korea, we have to wait in the US for an October 17th press release. Probably will be shipping in November (along with the Nikon D300) and create a madhouse holiday shopping season.

No real details to report, but the rumormills are grinding out details….which say it will be a 10 megapixel version with an articulating LCD screen, dust reduction system, Liveview, in-body image stabilization (like the E-510), five frames per second and 11 point autofocus.

Here are some of the features you can expect:

• 10 MP with greatly improved high-ISO performance
• In-body IS that Olympus claims will surpass any yet seen (it claims up to 5 stops)
• Pop-up flash with wide-angle coverage
• Articulated LCD with live view
• Wireless flash control
• Sensor dust-reduction (as on E-1)
• Improved AF that Olympus says will be appreciably faster than the D200 or 30D
• 100%, 1.15X viewfinder with –3 to +1 diopter
• Splash- and dust-resistant body construction (as good as E-1)

Also, there are four new Supersonic Wave lenses planned and a compact 2X converter. The lenses include a 14–35mm ƒ/2 that will be available next Spring and a 12–60mm ƒ/2.8–4 due in October.

(Despite the “pro” label, Olympus expects the E-3 to compete with the Canon 40D and Nikon D300, so look for roughly comparable pricing.)

Adobe has released version 6 of Photoshop Elements, improving ease of use and featuring new tools such as Photomerge to combine the best parts of several group shots. There is a new Quick Selection tool and three edit modes aimed at different skill levels. This latest release is available now for Windows - a Mac version will follow in early 2008 - for US $99.99 (upgrade $79.99) or $149.99 bundled with Adobe’s Premiere Elements 4 video-editing software. This item will be released on October 5, 2007. Pre-order now…

Adobe Amazon sells it for $89.99 - full version

Adobe has released updates to the CS3 Camera Raw plug-in and this download replaces it with a new version supporting the following cameras below. Visit their Camera Raw page for a complete list of supported cameras.

• Canon EOS 40D
• Fuji FinePix IS-1
• Leaf Aptus 17
• Leaf Aptus 54s
• Leaf Aptus 75s
• Olympus EVOLT E-510
• Panasonic DMC-FZ18
• Pentax K100D Super
• Phase One P 20 +
• Phase One P 21 +
• Phase One P 25 +
• Phase One P 30 +
• Phase One P 45 +
• Sony A700

To install with Adobe Creative Suite 3 or Photoshop CS3:

1. Exit Photoshop CS3.
2. Open My Computer.
3. Double-click Local Disk (C:).
4. Navigate to: (Please read directory carefully)

Program Files\Common Files\Adobe\Plug-Ins\CS3\File Formats

The backslashes are not showing up so here is the full path with dashes inserted where the backslashes should be:
Program Files - Common Files - Adobe - Plug-Ins - CS3 - File Formats

5. Move the existing Camera Raw.8bi plug-in to another location (for example, a new folder on your desktop). Ensure you keep this version in case you need to revert back.

6. Copy the Camera Raw plug-in, Camera Raw.8bi, from the download into the same folder as Step 4.

7. Launch Photoshop CS3 or Adobe Bridge.

NOTE: If generic camera thumbnails appear in Adobe Bridge, follow the these steps:

1. Check to make sure the plug-in was installed in the correct directory in step 4 above.
2. Start Bridge.
3. Choose Tools > Cache > Purge Central Cache.

Important: Purging the Central Cache deletes cached thumbnail information for all folders. It also deletes labels, ratings, and rotation settings for read-only files (for example, files on a CD or locked files) or file formats that don’t have XMP support.

To install with Adobe Photoshop Elements 5.0:

1. Exit Photoshop Elements
2. Open My Computer
3. Double-click Local Disk (C:)
4. Navigate to: (Please read directory carefully)

Program Files\Adobe\Photoshop Elements 5.0\Plug-Ins\File Formats

Program Files - Adobe - Photoshop Elements 5.0 - Plug-Ins - File Formats

5. Move the existing Camera Raw.8bi plug-in to another location (for example, a new folder on your desktop). Ensure you keep this version in case you need to revert back.

6. Copy the Camera Raw plug-in, Camera Raw.8bi, from the download into the same folder as Step 4.

7. Launch Photoshop Elements.

I have come back to this review to add more information. This is the one I am considering for myself (now that my Canon 5D and 4 lenses were stolen).

On August 23rd, 2007 came the official announcement from Nikon introducing the Nikon D300 digital SLR (successor to the D200).

New technologies include 12.3 effective megapixel DX-format CMOS image sensor with up to 3200 ISO sensitivity (+ Hi1 6400), a new precision Multi-CAM 3500DX 51-point AF system, a large 3.0-inch high resolution 920,000 pixel LCD information display with Live View Mode, 6 frames per sec continuous shooting (up to 8 fps with new MB-D10 power grip), new Nikon Scene Recognition System and EXPEED image processing concept including “Picture Control” settings, an integrated self cleaning sensor unit, in camera Retouch Menu (like on the D80), HDMI output and support for the new Wi-Fi transmitter WT-4.

Differences to the D200:

• LCD - a 3.0-inch LCD screen on the Nikon D300 versus the 2.5-inch screen on the Nikon D200.
• Body - the D300 is a rounder, curvier body design than the D200. The Mode button and the +/- Exposure Compensation button located on the front grip above the shutter release are now round and raised making them even more accessible compared to the oblong shape of the same two function buttons on the Nikon D200.
• The PC sync connection socket (for studio lights) that is found on the side of the Nikon D200 has been moved on the Nikon D300 to the front right side of the camera above the 10-pin remote socket.
• Other than from an ergonomic and visual design point of view there is not much that has changed in terms of the top layout of the Nikon D300 versus the Nikon D200. The new Liveview mode on the D300 is activated by turning the continuous shooting dial to the Liveview “Lv” position.
• On the control buttons on the back of the Nikon D300 the icons and text are now white making them stand out more compared to the gold/dark yellow color of the similar buttons on the D200. The Playback button has been moved to a better position on the top left corner of the camera. Changes to bracketing settings on the D300 is done by using the Function (Fn) button located on the front of the camera (default Custom setting f4), or can be be assigned to the depth-of-field preview button (Custom setting f5), or the AE-L/AF-L button (Custom Setting f6). The “Enter” confirmation button found towards the bottom on the Nikon D200 has been replaced with the renamed “OK” button on the Nikon D300.
• A welcome new feature is the camera’s large 3.0-inch LCD display. — with two LiveView modes: The Hand-held mode allows recomposing of the frame in the LCD prior to actual shooting, using the camera’s standard phase-detection autofocus system. The second mode, called Tripod mode, is designed for precise focus accuracy with still subjects, while the camera is mounted on a tripod.
• In-camera Lateral Chromatic Aberration Correction, a self-cleaning sensor, and optic-by-optic autofocus fine-tuning.

SHOP BH Photo - - - SHOP / ORDER at ADORAMA

See previews at DPreview / DCResource / Imaging-Resource /

• 12.3 effective Megapixel DX-format CMOS sensor
• Dust reduction system shakes junk off of the sensor
• Weather-sealed, magnesium alloy body with 150,000 cycle shutter
• Can shoot up to 100 JPEGs in a row at 6 frames/second; if you buy the battery grip, the burst rate rises to 8 fps
• Just one CompactFlash slot (still supports UDMA, though)
• Everything else is really the same as the D3.
• Shipping in November for $1799, body only
• Pre-Order Nikon D300 DX 12.3MP Digital SLR Camera with 18-200mm f/3.5-5.6G ED-IF AF-S VR DX Nikkor Zoom Lens
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Leaf, the acclaimed leader in the design of digital backs for professional photographers and developer of the world’s fastest digital camera backs, announced today the introduction of the Leaf AFi - a new, nextgeneration, medium-format digital camera aimed at professional photographers. The Leaf AFi is specifically designed for high-resolution digital photography, and is seamlessly integrated with the new Leaf Aptus S-Series digital camera backs. The Leaf AFi product line will include three models: Leaf AFi -75, Leaf AFi -65 and Leaf AFi -54.

Leaf AFi medium format camera body - Features
Based on a newly designed camera body, the Leaf AFi enjoys a wealth of unique features:
• Changeable viewfinder system (waist level or 90°/prism view)
• Specially designed Schneider-Kreuznach digital lenses for speed and sharp images
• Adjustable control grip provides ergonomically optimal angles for different shooting positions
• Switching between portrait & landscape by turning the camera back; no need to turn the camera

Dov Kalinski, General Manager of Leaf comments: “Leaf has the reputation for delivering uncompromising quality, and accordingly, the new Leaf AFi has been designed with the very best components available. The Leaf AFi features an extraordinary integration of top-of-the-line components, including a newly-developed medium-format camera, high quality auto-focus digital Schneider- Kreuznach lenses (AFD) that are specifically designed for professional photographers and a new and advanced Leaf digital camera back.”

Leaf solutions are based on the premise that a professional digital camera should operate intuitively, becoming an extension of the photographer’s hands, while supporting maximum creative freedom and technical excellence. With this in mind, Leaf developed this new medium format digital camera solution to match the specific demands of high-resolution digital shooting. The Leaf AFi provides professional photographers with a 6 x 6 medium-format digital camera solution in a compact 6 x 4.5 design. The Leaf camera addresses the needs of professional photographers who require the combination of quality, speed and control, united into a simple to use and robust system. The Leaf AFi is flexible, easily adaptable, and fully compatible with the Leaf digital back technology. [DP Photo Journal]

Leaf 75S - Specifications
• Resolution : 33 MP
• CCD size : 48 mm x 36 mm
• Speed sec /frame : 1.1
• Frames / burst : Unlimited
• Speed : frame/ sec/frame : 53
• Speed : Sustained sec/frame : 1.1
• Sensitivity : 50 - 800

Leaf 65S - Specifications
• Resolution : 28 MP
• CCD size : 44 mm x 33 mm
• Speed sec /frame : 0.9
• Frames / burst : Unlimited
• Speed : frame/ sec/frame : 63
• Speed : Sustained sec/frame : 0.9
• Sensitivity : 50 - 800

Leaf 54S - Specifications
• Resolution : 22 MP
• CCD size : 48 mm x 36 mm
• Speed sec /frame : 0.8
• Frames / burst : Unlimited
• Speed : frame/ sec/frame : 75
• Speed : Sustained sec/frame : 0.8
• Sensitivity : 25 - 400

Leaf Aptus - RAW images 1:1
The new Leaf Capture 10.1 now includes live video, a new temperature slider, and additional new features. Leaf is also launching a Leaf Capture 10 version for PC software. Designed for simplicity, the Leaf Capture 10 application is the ideal shooting partner for professional photographers. They use it to adjust and perfect images as they shoot - with one clear, simple window for all the tasks they need. With the ability to view Leaf RAW images 1:1, photographers can see the true data they’ve shot, check their essential settings, and increase productivity levels.

The PENTAX K10D offers advanced photo enthusiasts an array of innovations in image capture technology and camera functionality. These include a 10.2 megapixel CCD contained within the PENTAX developed Shake Reduction system that offers 2.5 to 4 stops of compensation for shooting in low light or with telephoto lenses. The new PRIME image processing engine is supported by 22-bit A/D conversion for truer color tones with richer gradation, and an improved buffer memory that increases capture speed and allows for in camera image processing. All this is housed within a rugged weather and dust resistant body that incorporates CCD Dust Removal system. The unique PENTAX exposure modes adjust for any shooting situation and the 11-point autofocus system and 16-segment meter will give sharp, perfectly exposed images even in the most difficult lighting conditions.

Announced on September 14th 2006, just in time for Photokina 2006 the new K10D was Pentax’s first foray into the serious-amateur digital SLR market. It’s bigger, tougher and more feature rich than any Pentax digital SLR before it and it certainly carries a wide enough range of features to worry the ‘big name’ brands. Headline features include a stabilized ten megapixel CCD, high quality image processing pipeline, dust and weather proof seals, 11-point AF (with 9 cross-type points) and some unique exposure modes. A full detailed list of the top 20 features can be found below. It’s clear that Pentax are targeting the likes of the Canon EOS 30D and Nikon D200, on paper it’s a very strong contender. [pentaxslr]

BUY Variation Parent: Pentax K10D 10.1MP Digital SLR Camera with Shake Reduction and 18-55mm f/3.5-5.6 Lens

SHOP BH Photo - - - SHOP at ADORAMA

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REVIEWS

Either a poorly implemented demosaicing algorithm or a strange choice of sharpening parameters means that while the K10D’s JPEG images have plenty of ‘texture’ they can lack the edge sharpness we’re used to seeing from semi-pro digital SLR’s.
With the criticism out of the way we return to the K10D as a ‘photographic tool’, something it does very well. It’s a camera you get used to very quickly and never really leaves you searching for the correct setting or control. It’s also a camera you can grow into, the unique exposure modes are both creatively interesting and useful, a range of options such as this encourage you to experiment. At just under $900 it’s a very strong proposition, so despite our reservations about the slightly soft image processing the K10D just achieves a Highly Recommended. [DPreview]

The Pentax K10D DSLR also comes equipped with a host of features and functions designed to assist the photographer in various aspects of high-quality digital SLR photography. They include a new Dust Removal (DR) system to keep dust off the CCD surface, a Pentax-original exposure system for faithful reproduction of the photographer’s creative intentions, and a dependable dust-proof, water-resistant body construction. All combined, the K10D delivers exceptionally high image quality and responds brilliantly to the exacting demands of advanced photographers. [Let's Go Digital]

The K10D is an exceptionally well-built, midsize digital SLR. It’s just the right size (at least for me) — not too small, not too big. There’s a large grip for your right hand, so you never feel like the K10D is about to fall out of your hands. The camera has a sturdy plastic shell over a metal frame, and it feels really solid in your hands. The various buttons, dials, and ports on the camera are dust and weather resistant, so the camera can be out in the elements without a problem. Speaking of buttons, while the K10D has many of them, it’s still fairly easy to just pick up and use. [DCResource]

PROS
* Smooth clean images with good color and tone, not as crisp as we would like
* Robust body with dust and weather seals, high build quality
* Accurate and fast auto-focus
* Unique exposure modes; sensitivity, shutter/aperture priority, hyper program
* Selectable program lines; Normal, Hi speed, Depth and MTF (lens sharpness)
* Good range of image parameter adjustment (-5 to +5 for each)
* Dedicated RAW button a useful addition
* Selectable RAW format (PEF or DNG)
* Unlimited continuous shooting in JPEG mode
* Occasionally useful ‘digital preview’ allows you to take a test shot which isn’t saved
* User definable Auto ISO (set minimum and maximum ISO)
* Good built-in flash metering
* Large and bright Pentaprism viewfinder (0.95x magnification)
* In-camera Shake Reduction system offers some advantage in low light
* Dust reduction by anti-static coating and optional sensor ’shake’
* Mirror lock-up implemented as part of the self-timer
* Function menu for quick access to important settings (although hard buttons are better)
* Large, bright and high resolution LCD monitor
* Good battery life from high capacity Lithium-Ion rechargeable
* Proper hinged doors covering the connectors (not the cheap rubber bungs)
* In-camera RAW development and image retouching (B&W, Sepia, Soft etc.)
* USB 2.0 Hi-Speed interface (with mass storage device driver)
* Value for money

CONS
* In-camera image processor unable to deliver crisp sharp edges, better to shoot RAW
* About a third of a stop less highlight dynamic range than the competition
* Slightly inconsistent continuous shooting rate (although always around 3.1 fps)
* Would have been nice to have hard buttons for White Balance and ISO sensitivity
* Turning up sharpness setting doesn’t deliver crisper edges
* Average automatic white balance performance, still very poor under incandescent light
* Flash must be raised for AF assist (although AF works even in very low light)
* Color space selection buried in custom menu

The GX-10 is Samsung’s third digital SLR. Like the other two (the GX-1S and GX-1L), the GX-10 is based on a Pentax camera — in this case, the Pentax K10D. The differences between the GX-10 and the K10 are subtle changes in the user interface (menus and buttons), RAW support (the GX-10 only supports one RAW format: DNG), and the software bundle.

Both cameras have a solid, weather resistant body with a large right hand grip, a 10 Megapixel CCD, optical image stabilization, dust reduction, and manual controls and expandability that you’d expect from a digital SLR.

Both the kit lens and the battery are the same as the Pentax versions — just with Samsung branding. Everything’s interchangeable (except for the battery grip), so you can use Pentax parts in the Samsung camera, and vice versa. The 18 - 55 mm kit lens, which Samsung labels as a Schneider (it’s not), isn’t the greatest, with noticeable vignetting in many photos.

The one Pentax item that you cannot use with the GX-10 is the battery grip, which doesn’t fit perfectly on the GX-10 (due to its slightly larger grip). Samsung plans to offer one that does fit, but I don’t have any details on it just yet.

21 September 2006, Seoul, Korea. Samsung today announced the launch of the 10.2 mega-pixel GX-10 digital SLR, the first DSLR from the company to be positioned firmly towards the discerning enthusiast photographer searching for comprehensive functions, stunning design, ease of use and real value for money - all in one camera. Samsung also announced the launch of five more lenses, that some of the lenses would be released before the end of 2006, giving GX-10 and GX-1 series users alike even more freedom to express their creativity through the Samsung DSLR range.

BUY Samsung GX-10 10.2MP Digital SLR Camera (Body Only)
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SHOP BH Photo - - - SHOP at ADORAMA

• Professional digital SLR camera with 10.2 mega-pixel CCD sensor
• OPS (optical picture stabilization) Shake reduction with image-sensor shift mechanism
• Dust-free CCD with dust removal system
• Impenetrably built, resistant to water, sand, or other potentially harmful materials
• Field of view 95%, bright PentaPrism viewfinder (0.95x magnification)
• Brightness adjustable and wide-angle view 2.5″ TFT LCD (210K)
• Raw file format support (including converting)
• Continuous shooting of 3 pictures per second (up to memory full)
• Support high sensitivity ISO 1600
• TTL phase-matching 11 points wide AF
• TTL open-aperture 16 segment metering system

Hasselblad launched their 48 mm Full-Frame DSLR camera system –  the H3D.  The three models come in 22, 31, and 39 megapixel flavors, but the 31mp model sports the 44×33mm sensor instead of the 48mm full frame of the other two.

This dSLR line represents the adage: “If you need to ask the price, you can’t afford it.”

Let’s get this out of the way - the 39mp sells for $37,000,  the 31 megapixel H3D-31II is $30,000 and the 22 megapixel H3D-22II is $25,000.

The Hasselblad H3D was designed to provide medium format quality in a more compact digital back. The camera has a large 22 or 39 megapixel, 36.7 x 49mm sensor and 2.2-inch OLED display.  With a new engine, the camera promises to provide the company’s new “Ultra-Focus” auto focus standard.

Under the new motto of the Hasselblad Star Standard, the H3D has a combined package of clarity, color, sharpness, detail, and resolution, according to Hasselblad CEO Christian Poulsen at the conference. “What Victor Hasselblad managed to develop with the classic V camera system, the H3D now extends into the digital age,” said Poulsen.

Clearly this camera is in a class of its own and one cannot compare a Canon and Nikon to it. A finely honed instrument for producing top-quality digital images.

This Triops Camera is a fun idea - a camera you can throw around and it will take enough images to stitch together into a 360 degree pano!

It is made specifically for shooting panoramas and odd shot sequences, and what a great abstract medium to get the strangest and most interesting images!

This three-fisheye-lens camera is a design concept that somebody thought was good enough to be a finalist for the BraunPrize 2007. It can wirelessly transmit to a picture-displaying receiver, and that receiver also serves as a charging station.

I’m just hoping that German designer Franziska Faoro gets to mass-producing this cutie fast - because I want one - or two!

The Fujifilm FinePix S700 is ideal for families wanting a more advanced, compact SLR-style digital camera without losing operational simplicity. FinePix S700 offers some very powerful features, like a 7-megapixel CCD image sensor, 10x optical zoom lens (38-380mm), high- resolution 2.5-inch LCD and EVF (Electronic ViewFinder), Picture Image Stabilization mode, VGA (640×480) 30fps movie mode with image stabilization option, high ISO capabilities (up to ISO 1600), all packed in a compact SLR style shell. This is also the first model we have seen from Fuji (or any manufacturer for that matter) that includes a combination xD-Picture card and SD memory card slot. While it can be used as a simple point-n-shoot camera with its Auto, Scene, and Program modes, the S700 also offers various advanced exposure settings such as Shutter priority, Aperture priority and full Manual modes. Thus, this model can be used by both beginners or photo enthusiasts alike.

Bottom line - Fujifilm’s FinePix S700 is a very capable and appealing “entry-level” prosumer digicam. With 7-megapixels, a versatile 38-380mm 10x zoom lens, loads of useful exposure modes, great performance, and comfortable SLR style body, the S700 will be hard to beat, especially with an MSRP of only US$249 or less! The only downfalls I found were the above average amounts of purple fringing, and the fact the LCD blacks out in between shots (when shooting in a sequence not burst mode.)[Steve's Digicams]

The FinePix S700 is a midsize ultra zoom camera made entirely of plastic. That doesn’t mean that it feels cheap, though — Fuji used some high quality materials here. Ergonomically speaking, the S700 is very well designed, with maybe the exception of the awkwardly placed power button. The important controls ar easy to reach, and the substantial right hand grip ensures that the camera is stable. [DCResource]

There’s plenty in the Fuji FinePix S700 to cater to the needs of advanced amateurs looking to gain maximum control over their photos, with P / A / S / M exposure modes, auto / manual focus, eight white balance modes (including a custom hold mode), 12 scene modes and a six-mode popup flash. A 640 x 480 pixel, 30 frames-per-second AVI (motion JPEG) encoded movie mode is also provided. [Imaging-Resource]

In our lab tests, the 7.1-megapixel S700 earned a high score for color accuracy and an average score for sharpness. Its scores for distortion, however, were subpar. In our battery-life tests, the camera’s four AA alkaline batteries supported 475 shots–much better than the average score.
I liked the camera’s ‘Natural Light and Flash’ mode shooting option, where the camera captures a pair of consecutive shots–one without flash and another with flash–so you can compare which lighting captured the better image. A continuous-shooting mode snaps shots at a resolution of either 7 megapixels (the unit’s maximum) or 4 megapixels. This feature worked fine, but it was a bit slow to record. [PC World]

BUY for $193 Fujifilm Finepix S700 7.1MP Digital Camera with 10x Optical Zoom

SHOP BH Photo - - - SHOP at ADORAMA

* 7.1-Megapixel CCD image sensor for poster size prints
* 10x optical zoom (38-380mm equiv)
* Single or Continuous AF and Manual focus
* Focus assist illuminator for low-light
* Electronic color viewfinder w/230K pixels (approx. 97% frame coverage)
* 2.5″ LCD Color Monitor w/230K pixels (approx. 97% frame coverage)
* Movie Mode; 30fps @ 640×480 or 320×240 with audio
* Voice memos can be attached to still images
* Auto, Program AE, Shutter speed or Aperture priority and Manual
* Shooting modes: Natural Light, Natural Light + flash (Dual shot) and Anti-Blur
* Scene Position: Portrait, Landscape, Sport, Night, Fireworks, Sunset, Snow, Beach, Museum, Party, Flower, Text
* ISO speeds: Auto (800/400), 80, 100, 200, 400, 800, 1600
* Metering: Multi, Average, Spot
* Built-in manual popup multi-mode flash
* Shutter Speed: 4 - 1/1000 sec in (depending on Shooting mode)
* Uses 27MB internal memory, xD-Picture Card or SD card memory cards
* Lightweight at just 10.8 oz. (excluding battery/memory card)
* Powered by four AA type batteries
* USB 2.0 (Full-speed) plug-n-play connectivity

Nikon has unveiled the D3 digital SLR, which features their new full-frame FX format sensor. Up until now, if you wanted a full-frame camera, you bought a Canon EOS-1Ds or Canon EOS 5D. The D3 gives you the full-frame, and much more.

The 12.1 effective megapixel D3 features Nikon’s new FX-format CMOS sensor, measuring 23.9 x 36mm, which is nearly identical to the size of 35mm film. With the fastest startup time, shortest viewfinder blackout time, and shortest shutter lag of any digital SLR camera as well as the capability to shoot up to nine frames per second at full FX-format resolution, the D3 is the world’s fastest digital SLR camera in its class.*

The D3 also features an entirely new 51-point auto focus system with Nikon’s 3D Focus Tracking feature and two new LiveView shooting modes that allow photographers to frame a photograph using the camera’s high-resolution LCD monitor.

Read reviews DPreview / Nikon USA / DCResource / Shutterbug /

SHOP BH Photo - - - SHOP/Order at  ADORAMA

* First ever Nikon DSLR with a Full-Frame (36 x 24 mm) sensor (coined FX format)
* 12.1 megapixel full-frame sensor (8.45µm pixel pitch)
* ISO 200 - 6400 (with boost up to ISO 25,600)
* Also supports DX lenses, viewfinder automatically masks (5.1 megapixels with DX lens)
* 5:4 ratio crop mode (10 megapixels, up to 9 fps, viewfinder masked)
* 14-bit A/D conversion, 12 channel readout
* Nikon EXPEED image processor (Capture NX processing and NR algorithms, lower power)
* Super fast operation (power-up 12 ms, shutter lag 41 ms, black-out 74 ms)
* New Kevlar / carbon fibre composite shutter with 300,000 exposure durability
* New Multi-CAM3500FX Auto Focus sensor (51-point, 15 cross-type, more vertical coverage)
* Auto-focus tracking by color (using information from 1005-pixel AE sensor)
* Auto-focus calibration (fine-tuning) now available (fixed body or up to 20 separate lens settings)
* Scene Recognition System (uses AE sensor, AF sensor)
* Picture Control image parameter presets (replace Color Modes I, II and III)
* Custom image parameters now support brightness as well as contrast
* Nine frames per second continuous with auto-focus tracking
* Eleven frames per second continuous without auto-focus tracking
* Ten / eleven frames per second continuous in DX-crop mode (AF / no-AF)
* Dual Compact Flash card slots (overflow, back-up, RAW on 1 / JPEG on 2, copy)
* Compact Flash UDMA support
* 3.0″ 922,000 pixel LCD monitor
* Live View with either phase detect (mirror up/down) or contrast detect Auto Focus
* Virtual horizon indicates if camera is level (like an aircraft cockpit display)
* HDMI HD video output
* ‘Active D-Lighting’ (adjusts metering as well as applying D-Lighting curve)
* Detailed ‘Control Panel’ type display on LCD monitor, changes color in darkness
* New MB-D10 vertical grip fully integrates into body, multi battery type compatible
* Buttons sealed against moisture
* Dual battery charger as standard
* Available November 2007

Panasonic, a leader in digital technology, is delighted to announce the launch of their second digital single-lens reflex camera (SLR) – the DMC-L10 with an interchangeable LEICA lens. The DMC-L10 features an advanced 2.5-inch free angle LCD for full time live view that offers 270 degree rotation and a versatile shooting style. A 10.1-megapixel Live MOS Sensor provides beautiful images with delicate gradation and wide dynamic range. Dust reduction with a Supersonic Wave Filter system prevents dust from attaching to the sensor to degrade the pictures. The superb image processor, Venus Engine III, boasts high quality image rendering and a high speed response.

Order at Adorama 

Four Thirds System – Developed Exclusively for digital SLR

The DMC-L10 adopts the open format of the Four Thirds system for its lens mount – so the L10 can be used with lenses made by a variety of manufacturers, giving users a host of equipment options. Drawing on leading technologies while defying any stereotype ideas in SLR cameras, Panasonic’s DMC-L10 is designed to help you make the most of your photographic creativity.

One of the DMC-L10’s real talking points is the LEICA D VARIO-ELMAR 14-50mm / F3.8-5.6 / MEGA O.I.S. lens. Sold as a complete kit – the combination of the world renowned Leica lens, with Panasonic’s excellence in digital photography – makes an impressive proposition.

The full-time live view gives users more shooting flexibility and greater convenience not previously achieved by conventional digital SLR cameras without live view capability. Not one to rest on its laurels, Panasonic introduces another first for a digital SLR camera by incorporating a Face Detection and Intelligent ISO Control function. The face detection system detects human faces (up to 15 human faces can be detected simultaneously) and sets a focus and appropriate exposure to capture a face clearly and beautifully lit. The Intelligent ISO Control function detects and meters the movement of the subject and sets the suitable ISO setting and the shutter speed according to the amount of the movement to suppress the generation of motion-blur in the picture.

The live view enables the user to check the outcome image in advance after compensating the exposure or adjusting the white balance. The white balance can be adjusted in the area of two-axis of coordinates precisely. Furthermore, the DMC-L10 provides options of picture taste with a function called Film Mode. Each analog film has its characteristics, for example colour, contrast, gradation and these effect the outcome of the picture, they are ways of expression. With the DMC-L10, the Film Mode allows you to choose the one that takes the best advantage of the scene or the subject you take out of a total of nine film modes including Standard, Dynamic, Nature, Smooth, Nostalgic, Vibrant, Standard B/W, Dynamic B/W and Smooth B/W, with the capability of fine adjustment of contrast, sharpness, saturation and noise reduction. All these settings can be confirmed before you take the picture.

Read previews at Let’s Go Digital / DPreview / item will be released on November 20, 2007.

Pre-Order at Amazon for $1,299.95 Panasonic DMC-L10 10.1MP Digital SLR Camera with Leica D Vario-Elmar 14-50mm f/3.8-5.6 Mega OIS Lens

• 12 megapixels
• 3x optical zoom
• 2.5 inch LCD
• Can capture widescreen images (16:9) and 720p video at 30fps
• Sensitivity to ISO 3200
• Face detection system
• Smart Scene mode automatically adjusts camera settings
• Lithium-ion battery

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BUY Kodak Easyshare V1233 12.1MP Digital Camera with 3x Optical Zoom (Silver)
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BUY with accessory kit - Kodak EasyShare V1233 12.1MP HD Digital Camera (Black) + 2GB Deluxe Accessory Kit
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• 12 megapixels
• 3x optical zoom
• 3.1 inch LCD
• Can capture widescreen images (16:9) and 720p video at 30fps
• Sensitivity to ISO 3200
• Face detection system
• Smart Scene mode automatically adjusts camera settings
• Lithium-ion battery

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BUY in white Kodak Easyshare V1253 12MP Digital Camera with 3 x Optical Zoom (White)
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BUY in black Kodak Easyshare V1253 12MP Digital Camera with 3 x Optical Zoom
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