Balko Photo

Canon PowerShot SD850-IS Digital Elph Camera, 8.0 Megapixels, 4x Optical Zoom, 4x Digital Zoom, 2.5″ PureColor LCD Display
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Regular Price 299.95
Sale Price $219.95 and FREE SHIPPING

Canon Powershot SD1000 Digital Elph Camera, 7.1 Megapixels, 3x Optical Zoom, 4x Digital Zoom, 2.5″ LCD Display, Silver
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Regular Price 199.95
Sale Price $154.95 and FREE SHIPPING

Samsung LN-T2353H 23″ LCD HDTV Flat Panel Television with Integrated ATSC Tuner
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Regular Price 699
Sale Price $495.00 and FREE SHIPPING

Nikon Coolpix S700 Digital Camera, 12.1 Megapixel, 3x Optical Zoom, 4x Digital Zoom, 2.7″ LCD Display, Brushed Aluminum
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Regular Price 319.95
Sale Price $249.00 and FREE SHIPPING

Domke Pro.Com 20, Rigid Shell Case with Foam Interior for Digital Point-&-Shoot Cameras, Black.
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Regular Price 39.99
Sale Price $9.99

Hewlett Packard - HP LaserJet P1005 Monchrome Printer with 600 x 600 dpi, 14ppm Print Speed & 5000 Pages Printing Capability
Sale Price 109.95

Celestron 10 - 30 x 50 Upclose Zoom, Weather Resistant Porro Prism Binocular with 4.1 Degree Angle of View at 10x, U.S.A.
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Regular Price 39.95
Sale Price $29.95

Fellowes Powershred SB-87CS Confetti-Cut Shredder, 15 Sheets at Once / 10 Ft/Min - 7 Gallon Basket
Sale Price $114.99

Lomo FishEye Point-n-Shoot 35mm Camera, Black
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Regular Price 39.95
Sale Price $34.95

Panasonic Lumix DMC-FZ50S Digital SLR Camera, 10.4 MP, 12x Optical, 4x Digital Zoom, MEGA Optical Image Stabilizer, Silver
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Regular Price 599.95
Sale Price $429.95

Kata DR-465 Digital Rucksack for 2 Digital SLR’s with Mounted Lens, 3-4 Lenses, Flash, Accessories & Personal Gear
Sale Price $64.95
buy the backpack and get a free Kata sunglass plus FREE SHIPPING

Kata DR-467 Digital Rucksack for 2 Digital SLR’s with Mounted Lens, 3-4 Lenses, Flash, Laptop (to 17″), Accessories & Personal Gear
Sale Price $79.95
buy the backpack and get a free Kata sunglass plus FREE SHIPPING

Brother MFC-885CW Color Inkjet Flatbed, Wireless Network-Ready 7-in-1 Multi-Function Center with Print, Fax, Copy, Scan, PC Fax, PhotoCapture Center & Message Center.
Sale Price $186.99

Celestron VistaPix IS70Imaging Spotting Scope with 3 Megapixel Digital Camera
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Regular Price 479
Sale Price $389.95

ZigView-R Digital Viewfinder, 360° Rotating Angled TFT 2.0″ Color Display, with TLL Motion Sensor Shutter Release, Interval & Exposure Timer.
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Reguler Price 279.95
Sale Price $229.95

Stroboframe Quick Flip 350 - 35mm Flash Bracket
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Regular Price 49.95
Sale Price $39.95

Norcent XIAS DCS-860 8.0MP Point & Shoot Digital Camera, 3x Optical Zoom, 4x Digital Zoom & 2.5″ LCD
Sale Price $94.95

Smith Victor KT900 3-Light 1250-Watt Thrifty Mini-Boom Kit with Light Cart on Wheels Carrying Case.
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Regular Price 319.95
Sale Price $274.99
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Xshot Stainless Shield Shaft for Easy Self Portraits with All Compact Cameras
Sale Price $19.95

Kodak Professional 9810, 8″ x 12″ Dye Sublimation Digital Photo Printer with USB Interface, for Windows.
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Regular Price 2999.95
Sale Price $2,499.95

Kodak Professional EKTATHERM 9810L Digital Photo Print Kit / Glossy (Ribbon and receiver make 250 8×12 prints)
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Regular Price 369.95
Sale Price $329.95

Kodak Professional EKTATHERM 9810S Digital Photo Print Kit / Glossy (Ribbon and receiver make 300 8×10 prints)
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Regular Price 459.95
Sale Price $399.95

Bushnell 7 x 50 Marine, Tactical Water Proof & Fog Proof Porro Prism Binocular with 6.7 Degree Angle of View, U.S.A.
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Regular Price 164.95
Sale Price $149.95

Minox DCC Leica M3 Plus Classic Digital Camera, 5 Megapixel, 4x Digital Zoom, 1.5″ LCD Monitor and SD Memory Card with the Minox Flash for the Classic Series Minature Cameras, Guide Number 21, ISO 100.
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Regular Price 349
Sale Price $299.00
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General Electric A830 Digital Camera - Black
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Regular Price 139.95
Sale Price $109.95

General Electric A830 Digital Camera - Silver
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Regular Price 139.95
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Canon Pixma iP90v Photo Color Inkjet Printer with USB Interface , 4800 x 1200 dpi, for Windows & Macintosh
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Regular Price 249.95
Sale Price $184.95
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Pharos Drive GPS 150, Portable Pocket Sized GPS Navigation System with Built in Maps and a 3.5″ Color LCD Screen
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Regular Price 189.95
Sale Price $169.95

Pharos Trips & Pics with GPS Receiver and USB Interface
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Regular Price 99.95
Sale Price $83.95

Garmin eTrex Summit Handheld GPS Navigation System HS Receiver, with microSD Card Slot & Automatic Routing
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Regular Price 199.95
Sale Price $179.95

Fujifilm 2 GB Type M xD Picture Memory Card.
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Regular Price 39.95
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SanDisk 2 GB, 60x Speed Ultra II Secure Digital (SD) Memory Card
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Regular Price 24.95
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SanDisk Extreme Ducati Edition 4 GB Secure Digital, SD Plus USB Memory Card
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SanDisk 4 GB Extreme Ducati Edition CompactFlash Memory Card
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Regular Price 124.95
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SanDisk 1 GB Micro Secure Digital 3-In-1 Kit
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Regular Price 16.95
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Dane-Elec 2 GB Compact Flash Memory Card
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Dane-Elec 8 GB Compact Flash Memory Card
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Regular Price 69.95
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Dane-Elec 1 GB Secure Digital (SD) Memory Card - High Speed 133xs
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Regular Price 19.95
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Kingston Technology 8 GB, 133x Elite Pro Compact Flash Memory Card
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Regular Price 99.95
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after $65 mail in rebate exp 3/31

Kingston Technology 4 GB Class 2 Secure Digital High Capacity (SDHC) Memory Card
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Regular Price 19.95
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Epson Premiere Art Scrapbook Photo Matte Inkjet Paper, 12 mil, 12″ x 12″, 10 Sheets.
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Regular Price 11.95
Sale Price $10.50

Canon 8.5″ x 11″ Photo Album Kit with Album & 10 Sheets of Double Sided Inkjet Paper.
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Regular Price 24.95
Sale Price $21.95

Epson 5″ x 7″ Story Teller Inkjet Paper Kit with Software, Book Cover & 10 Sheets.
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Regular Price 15.95
Sale Price $13.49

Epson P-3000 Photoviewer, Portable 40 GB Multimedia Storage & Viewer with USB 2.0 Interface & 4″ LCD
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Regular Price 399.95
Sale Price $249.95
after $150 mail in rebate exp Jun 30, 2008

Davis & Sanford ProVista Air 18 Tripod with FM-18 Fluid Head. (Head Supports up to 18 lbs., Tripods 12 lbs., extends 31″ - 68″)
Sale Price $249.95
Buy the Tripod and get a Free Tripod Dolly (SKU #TFDW3 a $39.95 value) plus FREE SHIPPING

ColorVision Spyder 2 Pro Colorimeter suite
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Regular Price 149.95
Sale Price $139.95

DxO Optics Pro v 4.2, Elite Edition Photo Enhancing Software for Mac & Windows. Version 4.5 Internet Update Included (FREE UPGRADE TO VERSION 5.0 WHEN RELEASED)
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Regular Price 269
Sale Price $229.95

Adobe Photoshop CS3, Full Version for Macintosh
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Regular Price 634.95
Sale Price $599.95

Audio-Technica ATR-55 Cardioid Condenser Shotgun Microphone
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Regular Price 62.95
Sale Price $49.95

LaCie Single Drive Hard Disk, 320 GB Disk Drive with USB 2.0 Interface, for Mac & Windows, 7200rpm, Ora-Ito Design.
Save $9.00
Regular Price 88.95
Sale Price $79.95

More MP
The first DSLR sensor made by Samsung is the 14.6MP CMOS chip. This gives the GX-20 and the Pentax K20D the highest-resolution imaging in this class. The Pentax K200D gets the Sony-made 10.2MP CCD from the now-discontinued K10D. The Sony uses its own 14.2MP CCD in the Alpha 350, and Canon its own 12.2MP CMOS chip in the Rebel XSi. (Canon once again makes a Rebel that leapfrogs its enthusiast model in resolution — the EOS 40D is 10.1MP.) Nikon coasts along with the same 10.2MP chip from the D40x. All five cameras maintain the APS-C sensor size for a 1.6X 35mm lens factor for the Canon and 1.5X for all the others.

Live Preview
Like it or not, DSLR makers continue to use it and refine it. The Rebel allows two methods of autofocusing in live view: a quick method using a momentary flip down of the mirror (with face detection used to engage appropriate AF points), and a live method that can be enabled at any spot in the frame. This actually improves on the Reb’s pricey stablemates such the EOS-1Ds Mark III (see camera test), which focus only manually in live view. The Samsung GX-20 can also autofocus with a mirror flip.

But the best live view system so far comes on the Sony, which uses a separate imaging sensor in the pentamirror housing to allow autofocusing with live view — and nearly zero lag when you press the shutter to take the shot. You can even do burst shooting in live mode at a creditable 2 fps. Combined with the LCD that tilts up or down, it gives you a perfect setup for low-angle or over-the-crowd shots.

Image stabilization
Everyone wants it and why not? It gives you a bit more versatility, but which system is better - the one in-camera or in specific lenses? Canon and Nikon don’t have stabilization built into their cameras, but require individual stabilized lenses. And now manufacturers have priced camera/lens kits low enough that there is no short-term price advantage for the other three cameras that have sensor-based image stabilization built into the camera bodies.

But those three cameras — the Pentax K200D, Samsung GX-20, and Sony Alpha 350 — can stabilize any lenses you already have in your bag or may obtain down the line, which can save a fair stack of cash compared with putting together an outfit of Canon or Nikon image-stabilized lenses. In response, their rivals have been developing lower-cost stabilized lenses, such as the 55-250mm f/4-5.6 Canon EF IS ($300, street) and the 55-200mm f/4-5.6G AF-S DX Nikkor VR ($170, street).

Too Many
Canon EOS 40D, Nikon D300, and Sony Alpha 700 — and camera makers are not stopping with those. Nearly every DSLR maker has recently added one or more models to this year’s lineup, all of them aimed at the mid-level. For street prices of $630 to $1,400, they provide a nice boost in megapixels, with two models coming in at more than 14MP. But they aren’t about sheer firepower — don’t look for the fastest burst rates or stratospheric ISOs. Instead, you’ll find such conveniences as bigger LCD screens, live view, more battery power, extended in-camera image controls, and improved image stabilization.

No sooner do you have your setup complete (at least for the moment) and another model beckons so strongly that you cannot resist!

Improvements

Sony began the trend with its Dynamic Range Optimizer (DRO), which can calm down highlights and bring up shadows on the fly. Nikon’s Active D-Lighting, Pentax’s Expanded Dynamic Range, and Samsung’s High Dynamic Range do similar duty. The Canon Rebel XSi has Highlight Tone Priority, which will maintain detail in an exposure level selected by the user.

The Nikon D60 can convert RAW files to JPEGs with image corrections, remove redeye, add a cross filter, and even assemble stop-action movies from individual frames. The Pentax and Samsung have an assortment of digital filters and extensive picture adjustments. The Sony A350 inherits the menu of eight scene selection modes, each one of which can be individually tweaked.

And the Canon Rebel debuts a new tool, Auto Optimization, which can improve brightness and contrast on the fly (something like Auto Levels in Adobe Photoshop) and which gives priority to faces in the frame — to bring up detail in backlit portraits, for example.

Sensor dust has become Enemy #1 and DSLR manufacturers are recognizing that with more megapixels, shooters will view or print pictures at larger sizes — and will be all the more aware of dust spots on the sensor. All five of these cameras provide a momentary ultrasonic shake of the sensor to remove dust, but the precautions hardly stop there.

The Nikon simultaneously provides a momentary puff of air — something like a built-in bulb blower — and can map dust particles for removal later in software. The Canon also has software dust mapping. The Pentax and Samsung models highlight dust particles on the LCD — and display the map as a mirror image to facilitate manual cleaning of the sensor.

Should You Buy?

Fierce competition once again proves a good thing, with four of these five models coming in well under $1,000 with a kit lens. Stay tuned for more info on the latest and greatest offerings.
[PopPhoto]

The Superzooms
Fujifilm Finepix S8000fd, Panasonic Lumix DMC-FZ18, and Olympus SP-560UZ

We all want the most out of our cameras. We want them to “do it all”. Superzooms offer wide angle to extremely long ranges in one fixed lens solution package. That, however, is asking a lot of one lens.

All of these camera models  feature an 18x zoom. The 8mp Olympus and the 8mp FujiFilm both have a 27-486mm f/2.8-4.5 lenses (35mm equivalent). Both will focus to 1 centimeter in Super Macro mode and both show similar testing results for distortion. That will be noticeable at different focal lengths, particularly in images with straight lines.

The 8 mp Panasonic Lumix has a 28-504mm f/2.8-4.2 Image Stabilization Leica lens (35mm equivalent) with shifting lens elements to stop camera shake. It also focuses to 1cm and has very little Barrel Distortion.

For optics, Panasonic rules with a tie for second place to Olympus SP-560UZ, Fujifilm Finepix S8000fd.

It must be remembered that with these cameras, indeed all point and shoot models, one must soot at the lowest ISO possible or you will be dealing with unacceptable noise.

At ISO 64, the Fujifilm Finepix S8000fd has Extremely High (1583) Resolution, and Low (1.7) Noise. At ISO 100, Noise rises a touch to Moderately Low (2.1). At ISO 200, Noise is Moderate (2.9). At ISO 400, Noise is Unacceptable (3.0); aggressive noise control kicks in at ISO 800, bringing it back down to Moderately Low (2.4). At ISO 1600, noise is again Unacceptable (4.0), with a significant Resolution drop to Acceptable (1150). Color accuracy is Extremely High (Average Delta E: 9.4, ISO 64, Auto White Balance.)

At ISO 50, the Olympus SP560UZ also has Extremely High (1660) Resolution and Low (1.7) Noise. Noise is also Low (1.7) at ISO 100. Noise is Moderately Low at ISO 200 (2.3). At ISOs 400 (2.4), 800 (2.4), and 1600 (2.8) Noise is Moderate. Resolution also drops dramatically at ISO 1600, to Unacceptable (900.) Noise is Unacceptable at ISO 3200 (3.1). Color accuracy is Excellent (Average Delta E: 7.7, ISO 50, Auto White Balance.)

At ISO 100, the Panasonic Lumix DMC-FZ18 has Excellent (1890) Resolution, with Low (1.7) Noise. Noise is Moderate at ISO 200 (2.4). Noise is Moderately Low at ISOs 400 (2.2), 800 (2.1), and 1250 (2.2) and Moderate at ISO 1600 (2.5.) At ISO 1600, Resolution drops to 1325 (Very High). Color Accuracy is Extremely High (Average Delta E: 8.1, ISO 100, Auto White Balance.)

Pop Photo Lab Test Rankings:

1. Panasonic Lumix DMC-FZ18 —— Buy at Adorama / Buy at Amazon
2. Olympus SP-560UZ ————— Buy at Adorama / Buy at Amazon
3. Fujifilm Finepix S8000fd ———- Buy at Adorama / Buy at Amazon

This firmware update (Version 1.0.5) incorporates the following improvements and fixes.

1. When playing back images just after recovering from Auto Power Off, the display now shows the last image played back.
2. During remote shooting, images are now displayed on the camera’s LCD monitor right after they are taken.
3. Corrects a warning message in Korean that appears when updating the firmware.
4. Corrects errors in the Spanish menu screens.
5. Corrects a phenomenon that prevented printing with some print systems.
6. Corrects a rare phenomenon in which file numbers or image numbers were sometimes skipped.

The Version 1.0.5 firmware being released this time is for cameras with firmware up to Version 1.0.4. If the camera’s firmware is already Version 1.0.5, it is not necessary to update the firmware.

Listing at $5000, this is far from cheap or even affordable for most, but Pop Photo has just stated this to be the “greatest camera Nikon has ever built.”

What makes it so are…

1. Rock-solid build and sophisticated design.
The ergonomic body has water and dust resistant seals keep weather out. The shutter is made of a Kevlar with a 300,000-cycle rating.

2. Super-sensitive, full-frame sensor.
A 12.1MP full-frame (23.9×36mm) sensor. Need I say more? Yes, Canon does have its new 21.1 MP EOS 1Ds Mark III, but that is another step above the D3 (along with an extra $3000).

3. Highly advanced 51-zone AF system.
The 15 cross-type and 36 horizontal sensors can be grouped into zones, and new capabilities include tracking subjects by color or brightness. Using 3D Focus Tracking, it can even group multiple AF zones in a variety of patterns of your choice.

4. Sharp, tough 3-inch LCD monitor with live view.
The 3-inch monitor has a protective tempered-glass cover over the 920,000-dot (307,000-pixel) screen .

5. Rapid-fire performance and unique features.
Great light sensitivity, fast focus, and a burst capability of 9 frames per second offers features for everyone. And the dual CF card slots are a bonus.

BUY now at Adorama // SHOP B&H Video

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Pentax didn’t do anything too drastic when it revved the already well-received K100D to “Super” status: apart from a dust-removal system, SDM lens support, ISO 3200 mode, and a much lower price, the Super is pretty much the same as the non-Super K100D it replaced.

Super is an updated version of the year-old entry-level K100D DSLR camera. Still has a 6.1 megapixel sensor, Shake Reduction system to help achieve sharp images, 11 point auto-focus, 2.5″ LCD screen and a compact design with metal body.

The price is what is astounding - $600! - complete with a 18-55mm f/3.5-5.6 kit lens.

This is one heck of a camera if people can get past measuring digital cameras in terms of megapixels. With only 6, many will bypass this gem when in reality, it is more than enough for general purposes.

The Olympus E-3 is the much awaited successor to the E-1. Unveiled in Korea, we have to wait in the US for an October 17th press release. Probably will be shipping in November (along with the Nikon D300) and create a madhouse holiday shopping season.

No real details to report, but the rumormills are grinding out details….which say it will be a 10 megapixel version with an articulating LCD screen, dust reduction system, Liveview, in-body image stabilization (like the E-510), five frames per second and 11 point autofocus.

Here are some of the features you can expect:

• 10 MP with greatly improved high-ISO performance
• In-body IS that Olympus claims will surpass any yet seen (it claims up to 5 stops)
• Pop-up flash with wide-angle coverage
• Articulated LCD with live view
• Wireless flash control
• Sensor dust-reduction (as on E-1)
• Improved AF that Olympus says will be appreciably faster than the D200 or 30D
• 100%, 1.15X viewfinder with –3 to +1 diopter
• Splash- and dust-resistant body construction (as good as E-1)

Also, there are four new Supersonic Wave lenses planned and a compact 2X converter. The lenses include a 14–35mm ƒ/2 that will be available next Spring and a 12–60mm ƒ/2.8–4 due in October.

(Despite the “pro” label, Olympus expects the E-3 to compete with the Canon 40D and Nikon D300, so look for roughly comparable pricing.)

I have come back to this review to add more information. This is the one I am considering for myself (now that my Canon 5D and 4 lenses were stolen).

On August 23rd, 2007 came the official announcement from Nikon introducing the Nikon D300 digital SLR (successor to the D200).

New technologies include 12.3 effective megapixel DX-format CMOS image sensor with up to 3200 ISO sensitivity (+ Hi1 6400), a new precision Multi-CAM 3500DX 51-point AF system, a large 3.0-inch high resolution 920,000 pixel LCD information display with Live View Mode, 6 frames per sec continuous shooting (up to 8 fps with new MB-D10 power grip), new Nikon Scene Recognition System and EXPEED image processing concept including “Picture Control” settings, an integrated self cleaning sensor unit, in camera Retouch Menu (like on the D80), HDMI output and support for the new Wi-Fi transmitter WT-4.

Differences to the D200:

• LCD - a 3.0-inch LCD screen on the Nikon D300 versus the 2.5-inch screen on the Nikon D200.
• Body - the D300 is a rounder, curvier body design than the D200. The Mode button and the +/- Exposure Compensation button located on the front grip above the shutter release are now round and raised making them even more accessible compared to the oblong shape of the same two function buttons on the Nikon D200.
• The PC sync connection socket (for studio lights) that is found on the side of the Nikon D200 has been moved on the Nikon D300 to the front right side of the camera above the 10-pin remote socket.
• Other than from an ergonomic and visual design point of view there is not much that has changed in terms of the top layout of the Nikon D300 versus the Nikon D200. The new Liveview mode on the D300 is activated by turning the continuous shooting dial to the Liveview “Lv” position.
• On the control buttons on the back of the Nikon D300 the icons and text are now white making them stand out more compared to the gold/dark yellow color of the similar buttons on the D200. The Playback button has been moved to a better position on the top left corner of the camera. Changes to bracketing settings on the D300 is done by using the Function (Fn) button located on the front of the camera (default Custom setting f4), or can be be assigned to the depth-of-field preview button (Custom setting f5), or the AE-L/AF-L button (Custom Setting f6). The “Enter” confirmation button found towards the bottom on the Nikon D200 has been replaced with the renamed “OK” button on the Nikon D300.
• A welcome new feature is the camera’s large 3.0-inch LCD display. — with two LiveView modes: The Hand-held mode allows recomposing of the frame in the LCD prior to actual shooting, using the camera’s standard phase-detection autofocus system. The second mode, called Tripod mode, is designed for precise focus accuracy with still subjects, while the camera is mounted on a tripod.
• In-camera Lateral Chromatic Aberration Correction, a self-cleaning sensor, and optic-by-optic autofocus fine-tuning.

SHOP BH Photo - - - SHOP / ORDER at ADORAMA

See previews at DPreview / DCResource / Imaging-Resource /

• 12.3 effective Megapixel DX-format CMOS sensor
• Dust reduction system shakes junk off of the sensor
• Weather-sealed, magnesium alloy body with 150,000 cycle shutter
• Can shoot up to 100 JPEGs in a row at 6 frames/second; if you buy the battery grip, the burst rate rises to 8 fps
• Just one CompactFlash slot (still supports UDMA, though)
• Everything else is really the same as the D3.
• Shipping in November for $1799, body only
• Pre-Order Nikon D300 DX 12.3MP Digital SLR Camera with 18-200mm f/3.5-5.6G ED-IF AF-S VR DX Nikkor Zoom Lens
• 
  

Leaf, the acclaimed leader in the design of digital backs for professional photographers and developer of the world’s fastest digital camera backs, announced today the introduction of the Leaf AFi - a new, nextgeneration, medium-format digital camera aimed at professional photographers. The Leaf AFi is specifically designed for high-resolution digital photography, and is seamlessly integrated with the new Leaf Aptus S-Series digital camera backs. The Leaf AFi product line will include three models: Leaf AFi -75, Leaf AFi -65 and Leaf AFi -54.

Leaf AFi medium format camera body - Features
Based on a newly designed camera body, the Leaf AFi enjoys a wealth of unique features:
• Changeable viewfinder system (waist level or 90°/prism view)
• Specially designed Schneider-Kreuznach digital lenses for speed and sharp images
• Adjustable control grip provides ergonomically optimal angles for different shooting positions
• Switching between portrait & landscape by turning the camera back; no need to turn the camera

Dov Kalinski, General Manager of Leaf comments: “Leaf has the reputation for delivering uncompromising quality, and accordingly, the new Leaf AFi has been designed with the very best components available. The Leaf AFi features an extraordinary integration of top-of-the-line components, including a newly-developed medium-format camera, high quality auto-focus digital Schneider- Kreuznach lenses (AFD) that are specifically designed for professional photographers and a new and advanced Leaf digital camera back.”

Leaf solutions are based on the premise that a professional digital camera should operate intuitively, becoming an extension of the photographer’s hands, while supporting maximum creative freedom and technical excellence. With this in mind, Leaf developed this new medium format digital camera solution to match the specific demands of high-resolution digital shooting. The Leaf AFi provides professional photographers with a 6 x 6 medium-format digital camera solution in a compact 6 x 4.5 design. The Leaf camera addresses the needs of professional photographers who require the combination of quality, speed and control, united into a simple to use and robust system. The Leaf AFi is flexible, easily adaptable, and fully compatible with the Leaf digital back technology. [DP Photo Journal]

Leaf 75S - Specifications
• Resolution : 33 MP
• CCD size : 48 mm x 36 mm
• Speed sec /frame : 1.1
• Frames / burst : Unlimited
• Speed : frame/ sec/frame : 53
• Speed : Sustained sec/frame : 1.1
• Sensitivity : 50 - 800

Leaf 65S - Specifications
• Resolution : 28 MP
• CCD size : 44 mm x 33 mm
• Speed sec /frame : 0.9
• Frames / burst : Unlimited
• Speed : frame/ sec/frame : 63
• Speed : Sustained sec/frame : 0.9
• Sensitivity : 50 - 800

Leaf 54S - Specifications
• Resolution : 22 MP
• CCD size : 48 mm x 36 mm
• Speed sec /frame : 0.8
• Frames / burst : Unlimited
• Speed : frame/ sec/frame : 75
• Speed : Sustained sec/frame : 0.8
• Sensitivity : 25 - 400

Leaf Aptus - RAW images 1:1
The new Leaf Capture 10.1 now includes live video, a new temperature slider, and additional new features. Leaf is also launching a Leaf Capture 10 version for PC software. Designed for simplicity, the Leaf Capture 10 application is the ideal shooting partner for professional photographers. They use it to adjust and perfect images as they shoot - with one clear, simple window for all the tasks they need. With the ability to view Leaf RAW images 1:1, photographers can see the true data they’ve shot, check their essential settings, and increase productivity levels.

The PENTAX K10D offers advanced photo enthusiasts an array of innovations in image capture technology and camera functionality. These include a 10.2 megapixel CCD contained within the PENTAX developed Shake Reduction system that offers 2.5 to 4 stops of compensation for shooting in low light or with telephoto lenses. The new PRIME image processing engine is supported by 22-bit A/D conversion for truer color tones with richer gradation, and an improved buffer memory that increases capture speed and allows for in camera image processing. All this is housed within a rugged weather and dust resistant body that incorporates CCD Dust Removal system. The unique PENTAX exposure modes adjust for any shooting situation and the 11-point autofocus system and 16-segment meter will give sharp, perfectly exposed images even in the most difficult lighting conditions.

Announced on September 14th 2006, just in time for Photokina 2006 the new K10D was Pentax’s first foray into the serious-amateur digital SLR market. It’s bigger, tougher and more feature rich than any Pentax digital SLR before it and it certainly carries a wide enough range of features to worry the ‘big name’ brands. Headline features include a stabilized ten megapixel CCD, high quality image processing pipeline, dust and weather proof seals, 11-point AF (with 9 cross-type points) and some unique exposure modes. A full detailed list of the top 20 features can be found below. It’s clear that Pentax are targeting the likes of the Canon EOS 30D and Nikon D200, on paper it’s a very strong contender. [pentaxslr]

BUY Variation Parent: Pentax K10D 10.1MP Digital SLR Camera with Shake Reduction and 18-55mm f/3.5-5.6 Lens

SHOP BH Photo - - - SHOP at ADORAMA

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REVIEWS

Either a poorly implemented demosaicing algorithm or a strange choice of sharpening parameters means that while the K10D’s JPEG images have plenty of ‘texture’ they can lack the edge sharpness we’re used to seeing from semi-pro digital SLR’s.
With the criticism out of the way we return to the K10D as a ‘photographic tool’, something it does very well. It’s a camera you get used to very quickly and never really leaves you searching for the correct setting or control. It’s also a camera you can grow into, the unique exposure modes are both creatively interesting and useful, a range of options such as this encourage you to experiment. At just under $900 it’s a very strong proposition, so despite our reservations about the slightly soft image processing the K10D just achieves a Highly Recommended. [DPreview]

The Pentax K10D DSLR also comes equipped with a host of features and functions designed to assist the photographer in various aspects of high-quality digital SLR photography. They include a new Dust Removal (DR) system to keep dust off the CCD surface, a Pentax-original exposure system for faithful reproduction of the photographer’s creative intentions, and a dependable dust-proof, water-resistant body construction. All combined, the K10D delivers exceptionally high image quality and responds brilliantly to the exacting demands of advanced photographers. [Let's Go Digital]

The K10D is an exceptionally well-built, midsize digital SLR. It’s just the right size (at least for me) — not too small, not too big. There’s a large grip for your right hand, so you never feel like the K10D is about to fall out of your hands. The camera has a sturdy plastic shell over a metal frame, and it feels really solid in your hands. The various buttons, dials, and ports on the camera are dust and weather resistant, so the camera can be out in the elements without a problem. Speaking of buttons, while the K10D has many of them, it’s still fairly easy to just pick up and use. [DCResource]

PROS
* Smooth clean images with good color and tone, not as crisp as we would like
* Robust body with dust and weather seals, high build quality
* Accurate and fast auto-focus
* Unique exposure modes; sensitivity, shutter/aperture priority, hyper program
* Selectable program lines; Normal, Hi speed, Depth and MTF (lens sharpness)
* Good range of image parameter adjustment (-5 to +5 for each)
* Dedicated RAW button a useful addition
* Selectable RAW format (PEF or DNG)
* Unlimited continuous shooting in JPEG mode
* Occasionally useful ‘digital preview’ allows you to take a test shot which isn’t saved
* User definable Auto ISO (set minimum and maximum ISO)
* Good built-in flash metering
* Large and bright Pentaprism viewfinder (0.95x magnification)
* In-camera Shake Reduction system offers some advantage in low light
* Dust reduction by anti-static coating and optional sensor ’shake’
* Mirror lock-up implemented as part of the self-timer
* Function menu for quick access to important settings (although hard buttons are better)
* Large, bright and high resolution LCD monitor
* Good battery life from high capacity Lithium-Ion rechargeable
* Proper hinged doors covering the connectors (not the cheap rubber bungs)
* In-camera RAW development and image retouching (B&W, Sepia, Soft etc.)
* USB 2.0 Hi-Speed interface (with mass storage device driver)
* Value for money

CONS
* In-camera image processor unable to deliver crisp sharp edges, better to shoot RAW
* About a third of a stop less highlight dynamic range than the competition
* Slightly inconsistent continuous shooting rate (although always around 3.1 fps)
* Would have been nice to have hard buttons for White Balance and ISO sensitivity
* Turning up sharpness setting doesn’t deliver crisper edges
* Average automatic white balance performance, still very poor under incandescent light
* Flash must be raised for AF assist (although AF works even in very low light)
* Color space selection buried in custom menu

The GX-10 is Samsung’s third digital SLR. Like the other two (the GX-1S and GX-1L), the GX-10 is based on a Pentax camera — in this case, the Pentax K10D. The differences between the GX-10 and the K10 are subtle changes in the user interface (menus and buttons), RAW support (the GX-10 only supports one RAW format: DNG), and the software bundle.

Both cameras have a solid, weather resistant body with a large right hand grip, a 10 Megapixel CCD, optical image stabilization, dust reduction, and manual controls and expandability that you’d expect from a digital SLR.

Both the kit lens and the battery are the same as the Pentax versions — just with Samsung branding. Everything’s interchangeable (except for the battery grip), so you can use Pentax parts in the Samsung camera, and vice versa. The 18 - 55 mm kit lens, which Samsung labels as a Schneider (it’s not), isn’t the greatest, with noticeable vignetting in many photos.

The one Pentax item that you cannot use with the GX-10 is the battery grip, which doesn’t fit perfectly on the GX-10 (due to its slightly larger grip). Samsung plans to offer one that does fit, but I don’t have any details on it just yet.

21 September 2006, Seoul, Korea. Samsung today announced the launch of the 10.2 mega-pixel GX-10 digital SLR, the first DSLR from the company to be positioned firmly towards the discerning enthusiast photographer searching for comprehensive functions, stunning design, ease of use and real value for money - all in one camera. Samsung also announced the launch of five more lenses, that some of the lenses would be released before the end of 2006, giving GX-10 and GX-1 series users alike even more freedom to express their creativity through the Samsung DSLR range.

BUY Samsung GX-10 10.2MP Digital SLR Camera (Body Only)
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• Professional digital SLR camera with 10.2 mega-pixel CCD sensor
• OPS (optical picture stabilization) Shake reduction with image-sensor shift mechanism
• Dust-free CCD with dust removal system
• Impenetrably built, resistant to water, sand, or other potentially harmful materials
• Field of view 95%, bright PentaPrism viewfinder (0.95x magnification)
• Brightness adjustable and wide-angle view 2.5″ TFT LCD (210K)
• Raw file format support (including converting)
• Continuous shooting of 3 pictures per second (up to memory full)
• Support high sensitivity ISO 1600
• TTL phase-matching 11 points wide AF
• TTL open-aperture 16 segment metering system

Hasselblad launched their 48 mm Full-Frame DSLR camera system –  the H3D.  The three models come in 22, 31, and 39 megapixel flavors, but the 31mp model sports the 44×33mm sensor instead of the 48mm full frame of the other two.

This dSLR line represents the adage: “If you need to ask the price, you can’t afford it.”

Let’s get this out of the way - the 39mp sells for $37,000,  the 31 megapixel H3D-31II is $30,000 and the 22 megapixel H3D-22II is $25,000.

The Hasselblad H3D was designed to provide medium format quality in a more compact digital back. The camera has a large 22 or 39 megapixel, 36.7 x 49mm sensor and 2.2-inch OLED display.  With a new engine, the camera promises to provide the company’s new “Ultra-Focus” auto focus standard.

Under the new motto of the Hasselblad Star Standard, the H3D has a combined package of clarity, color, sharpness, detail, and resolution, according to Hasselblad CEO Christian Poulsen at the conference. “What Victor Hasselblad managed to develop with the classic V camera system, the H3D now extends into the digital age,” said Poulsen.

Clearly this camera is in a class of its own and one cannot compare a Canon and Nikon to it. A finely honed instrument for producing top-quality digital images.

This Triops Camera is a fun idea - a camera you can throw around and it will take enough images to stitch together into a 360 degree pano!

It is made specifically for shooting panoramas and odd shot sequences, and what a great abstract medium to get the strangest and most interesting images!

This three-fisheye-lens camera is a design concept that somebody thought was good enough to be a finalist for the BraunPrize 2007. It can wirelessly transmit to a picture-displaying receiver, and that receiver also serves as a charging station.

I’m just hoping that German designer Franziska Faoro gets to mass-producing this cutie fast - because I want one - or two!

The Fujifilm FinePix S700 is ideal for families wanting a more advanced, compact SLR-style digital camera without losing operational simplicity. FinePix S700 offers some very powerful features, like a 7-megapixel CCD image sensor, 10x optical zoom lens (38-380mm), high- resolution 2.5-inch LCD and EVF (Electronic ViewFinder), Picture Image Stabilization mode, VGA (640×480) 30fps movie mode with image stabilization option, high ISO capabilities (up to ISO 1600), all packed in a compact SLR style shell. This is also the first model we have seen from Fuji (or any manufacturer for that matter) that includes a combination xD-Picture card and SD memory card slot. While it can be used as a simple point-n-shoot camera with its Auto, Scene, and Program modes, the S700 also offers various advanced exposure settings such as Shutter priority, Aperture priority and full Manual modes. Thus, this model can be used by both beginners or photo enthusiasts alike.

Bottom line - Fujifilm’s FinePix S700 is a very capable and appealing “entry-level” prosumer digicam. With 7-megapixels, a versatile 38-380mm 10x zoom lens, loads of useful exposure modes, great performance, and comfortable SLR style body, the S700 will be hard to beat, especially with an MSRP of only US$249 or less! The only downfalls I found were the above average amounts of purple fringing, and the fact the LCD blacks out in between shots (when shooting in a sequence not burst mode.)[Steve's Digicams]

The FinePix S700 is a midsize ultra zoom camera made entirely of plastic. That doesn’t mean that it feels cheap, though — Fuji used some high quality materials here. Ergonomically speaking, the S700 is very well designed, with maybe the exception of the awkwardly placed power button. The important controls ar easy to reach, and the substantial right hand grip ensures that the camera is stable. [DCResource]

There’s plenty in the Fuji FinePix S700 to cater to the needs of advanced amateurs looking to gain maximum control over their photos, with P / A / S / M exposure modes, auto / manual focus, eight white balance modes (including a custom hold mode), 12 scene modes and a six-mode popup flash. A 640 x 480 pixel, 30 frames-per-second AVI (motion JPEG) encoded movie mode is also provided. [Imaging-Resource]

In our lab tests, the 7.1-megapixel S700 earned a high score for color accuracy and an average score for sharpness. Its scores for distortion, however, were subpar. In our battery-life tests, the camera’s four AA alkaline batteries supported 475 shots–much better than the average score.
I liked the camera’s ‘Natural Light and Flash’ mode shooting option, where the camera captures a pair of consecutive shots–one without flash and another with flash–so you can compare which lighting captured the better image. A continuous-shooting mode snaps shots at a resolution of either 7 megapixels (the unit’s maximum) or 4 megapixels. This feature worked fine, but it was a bit slow to record. [PC World]

BUY for $193 Fujifilm Finepix S700 7.1MP Digital Camera with 10x Optical Zoom

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* 7.1-Megapixel CCD image sensor for poster size prints
* 10x optical zoom (38-380mm equiv)
* Single or Continuous AF and Manual focus
* Focus assist illuminator for low-light
* Electronic color viewfinder w/230K pixels (approx. 97% frame coverage)
* 2.5″ LCD Color Monitor w/230K pixels (approx. 97% frame coverage)
* Movie Mode; 30fps @ 640×480 or 320×240 with audio
* Voice memos can be attached to still images
* Auto, Program AE, Shutter speed or Aperture priority and Manual
* Shooting modes: Natural Light, Natural Light + flash (Dual shot) and Anti-Blur
* Scene Position: Portrait, Landscape, Sport, Night, Fireworks, Sunset, Snow, Beach, Museum, Party, Flower, Text
* ISO speeds: Auto (800/400), 80, 100, 200, 400, 800, 1600
* Metering: Multi, Average, Spot
* Built-in manual popup multi-mode flash
* Shutter Speed: 4 - 1/1000 sec in (depending on Shooting mode)
* Uses 27MB internal memory, xD-Picture Card or SD card memory cards
* Lightweight at just 10.8 oz. (excluding battery/memory card)
* Powered by four AA type batteries
* USB 2.0 (Full-speed) plug-n-play connectivity

Nikon has unveiled the D3 digital SLR, which features their new full-frame FX format sensor. Up until now, if you wanted a full-frame camera, you bought a Canon EOS-1Ds or Canon EOS 5D. The D3 gives you the full-frame, and much more.

The 12.1 effective megapixel D3 features Nikon’s new FX-format CMOS sensor, measuring 23.9 x 36mm, which is nearly identical to the size of 35mm film. With the fastest startup time, shortest viewfinder blackout time, and shortest shutter lag of any digital SLR camera as well as the capability to shoot up to nine frames per second at full FX-format resolution, the D3 is the world’s fastest digital SLR camera in its class.*

The D3 also features an entirely new 51-point auto focus system with Nikon’s 3D Focus Tracking feature and two new LiveView shooting modes that allow photographers to frame a photograph using the camera’s high-resolution LCD monitor.

Read reviews DPreview / Nikon USA / DCResource / Shutterbug /

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* First ever Nikon DSLR with a Full-Frame (36 x 24 mm) sensor (coined FX format)
* 12.1 megapixel full-frame sensor (8.45µm pixel pitch)
* ISO 200 - 6400 (with boost up to ISO 25,600)
* Also supports DX lenses, viewfinder automatically masks (5.1 megapixels with DX lens)
* 5:4 ratio crop mode (10 megapixels, up to 9 fps, viewfinder masked)
* 14-bit A/D conversion, 12 channel readout
* Nikon EXPEED image processor (Capture NX processing and NR algorithms, lower power)
* Super fast operation (power-up 12 ms, shutter lag 41 ms, black-out 74 ms)
* New Kevlar / carbon fibre composite shutter with 300,000 exposure durability
* New Multi-CAM3500FX Auto Focus sensor (51-point, 15 cross-type, more vertical coverage)
* Auto-focus tracking by color (using information from 1005-pixel AE sensor)
* Auto-focus calibration (fine-tuning) now available (fixed body or up to 20 separate lens settings)
* Scene Recognition System (uses AE sensor, AF sensor)
* Picture Control image parameter presets (replace Color Modes I, II and III)
* Custom image parameters now support brightness as well as contrast
* Nine frames per second continuous with auto-focus tracking
* Eleven frames per second continuous without auto-focus tracking
* Ten / eleven frames per second continuous in DX-crop mode (AF / no-AF)
* Dual Compact Flash card slots (overflow, back-up, RAW on 1 / JPEG on 2, copy)
* Compact Flash UDMA support
* 3.0″ 922,000 pixel LCD monitor
* Live View with either phase detect (mirror up/down) or contrast detect Auto Focus
* Virtual horizon indicates if camera is level (like an aircraft cockpit display)
* HDMI HD video output
* ‘Active D-Lighting’ (adjusts metering as well as applying D-Lighting curve)
* Detailed ‘Control Panel’ type display on LCD monitor, changes color in darkness
* New MB-D10 vertical grip fully integrates into body, multi battery type compatible
* Buttons sealed against moisture
* Dual battery charger as standard
* Available November 2007

Panasonic, a leader in digital technology, is delighted to announce the launch of their second digital single-lens reflex camera (SLR) – the DMC-L10 with an interchangeable LEICA lens. The DMC-L10 features an advanced 2.5-inch free angle LCD for full time live view that offers 270 degree rotation and a versatile shooting style. A 10.1-megapixel Live MOS Sensor provides beautiful images with delicate gradation and wide dynamic range. Dust reduction with a Supersonic Wave Filter system prevents dust from attaching to the sensor to degrade the pictures. The superb image processor, Venus Engine III, boasts high quality image rendering and a high speed response.

Order at Adorama 

Four Thirds System – Developed Exclusively for digital SLR

The DMC-L10 adopts the open format of the Four Thirds system for its lens mount – so the L10 can be used with lenses made by a variety of manufacturers, giving users a host of equipment options. Drawing on leading technologies while defying any stereotype ideas in SLR cameras, Panasonic’s DMC-L10 is designed to help you make the most of your photographic creativity.

One of the DMC-L10’s real talking points is the LEICA D VARIO-ELMAR 14-50mm / F3.8-5.6 / MEGA O.I.S. lens. Sold as a complete kit – the combination of the world renowned Leica lens, with Panasonic’s excellence in digital photography – makes an impressive proposition.

The full-time live view gives users more shooting flexibility and greater convenience not previously achieved by conventional digital SLR cameras without live view capability. Not one to rest on its laurels, Panasonic introduces another first for a digital SLR camera by incorporating a Face Detection and Intelligent ISO Control function. The face detection system detects human faces (up to 15 human faces can be detected simultaneously) and sets a focus and appropriate exposure to capture a face clearly and beautifully lit. The Intelligent ISO Control function detects and meters the movement of the subject and sets the suitable ISO setting and the shutter speed according to the amount of the movement to suppress the generation of motion-blur in the picture.

The live view enables the user to check the outcome image in advance after compensating the exposure or adjusting the white balance. The white balance can be adjusted in the area of two-axis of coordinates precisely. Furthermore, the DMC-L10 provides options of picture taste with a function called Film Mode. Each analog film has its characteristics, for example colour, contrast, gradation and these effect the outcome of the picture, they are ways of expression. With the DMC-L10, the Film Mode allows you to choose the one that takes the best advantage of the scene or the subject you take out of a total of nine film modes including Standard, Dynamic, Nature, Smooth, Nostalgic, Vibrant, Standard B/W, Dynamic B/W and Smooth B/W, with the capability of fine adjustment of contrast, sharpness, saturation and noise reduction. All these settings can be confirmed before you take the picture.

Read previews at Let’s Go Digital / DPreview / item will be released on November 20, 2007.

Pre-Order at Amazon for $1,299.95 Panasonic DMC-L10 10.1MP Digital SLR Camera with Leica D Vario-Elmar 14-50mm f/3.8-5.6 Mega OIS Lens

• 12 megapixels
• 3x optical zoom
• 2.5 inch LCD
• Can capture widescreen images (16:9) and 720p video at 30fps
• Sensitivity to ISO 3200
• Face detection system
• Smart Scene mode automatically adjusts camera settings
• Lithium-ion battery

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BUY Kodak Easyshare V1233 12.1MP Digital Camera with 3x Optical Zoom (Silver)
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BUY with accessory kit - Kodak EasyShare V1233 12.1MP HD Digital Camera (Black) + 2GB Deluxe Accessory Kit
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back view

• 12 megapixels
• 3x optical zoom
• 3.1 inch LCD
• Can capture widescreen images (16:9) and 720p video at 30fps
• Sensitivity to ISO 3200
• Face detection system
• Smart Scene mode automatically adjusts camera settings
• Lithium-ion battery

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BUY in white Kodak Easyshare V1253 12MP Digital Camera with 3 x Optical Zoom (White)
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BUY in black Kodak Easyshare V1253 12MP Digital Camera with 3 x Optical Zoom
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back view

The high-zoom Kodak Z812 IS has 8MP resolution and an incredible Schneider-Kreuznach 12x optical zoom lens, the Z812 IS captures HD still images (16:9 aspect ratio) and video (720p at 30fps), and also has the ability to extract still images from videos.

The Z812 IS also features Face Detection Technology, and its Smart Scene Mode will automatically adjust the camera’s settings depending on the type of scene it detects.

Read reviews DPreview / DCResource / Let’s Go Digital /

BUY Kodak EasyShare Z812 8.2MP HD Digital Camera + 1GB Accessory Kit

• 8.0 effective Megapixel CCD
• 12X optical zoom lens, equivalent to 36 - 432 mm
• HD quality photos and 720p (30 frames per second) video
• HD stills from video
• Enhance your action shots with best in class* click-to-capture speed (0.23 sec) and auto-focus accuracy
• High ISO (up to 3200)
• Optical image stabilization
• 2.5″ LCD display + electronic viewfinder
• Full manual controls
• Smart Scene Mode automatically picks the scene for you
• Same Perfect Touch, face detection, HD movie mode, and printer dock support as above
• 32MB onboard memory + SD/SDHC/MMC card slot
• Uses proprietary lithium-ion battery
• Shipping for $299

Although this baby sports only a 6.1 mp sensor, that does not mean that it’s outdated. The K100D and K110D digital SLRs were meant as replacement for the *ist DS series. The only difference between the K100D and K110D are that the K100D includes a CCD-shift type ‘Shake Reduction’ system, where as the K110D does not.

Images can be framed using a penta-mirror optical viewfinder, and reviewed on a 2.5″ LCD display with a resolution of 210,000 pixels. A choice of program, aperture- and shutter-priority or manual exposure modes; 16-segment multi, center-weighted or spot metering; shutter speeds from 30 - 1/4000 second; user-selectable ISO sensitivity from 200 - 3200 equivalent, plus eight white balance modes including fully manual white balance.

If you get the lens kit then you’ll find a Pentax F3.5-5.6, 18 - 55 mm lens in the box. This lens can be purchased separately for a little over $100. The 18-55 is a good, but not great, lens that is good for everyday shooting, though it does have a bit of a problem with vignetting.

Read reviews Imaging-Resource / DPreview / DCResource / PopPhoto /

BUY for $369 Pentax K100D 6.1MP Digital SLR Camera Shake Reduction (Body Only)

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